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MONSIEUR MARCEAU

ACTOR WITHOUT WORDS

An exceptional life; a stunning achievement.

Audiences thrilled to his mesmerizing performances, in which he spoke through his expressive body without uttering a single word.

Marceau was the world’s most popular and beloved mime. Born in France, he grew up watching and imitating Charlie Chaplin, star of silent films. World War II intruded and turned the Jewish teen into a war hero. At war’s end, he created Bip, his alter ego, who with makeup and costume “walks against the wind, but there is no wind.” Schubert’s spare text is both poetic and dramatic. DuBois’s oil paintings are brilliantly executed and saturated, with textured nuances. Images of Marceau fly across the page, delighting the eye, while close-ups highlight his extraordinary facial expressions. Ordinary paper morphs into stage settings as Marceau dances against white or black backgrounds. One double-page spread depicts a costumed fish with sinuously expressive hands and feet. Another presents seven views of Marceau in movement, updating a series of views of Marceau as a child. The pages set during World War II, in contrast, are a somber palette. Don’t turn the pages too quickly; rather stop and feel the joie de vivre with which the master filled people of all ages all over the world.

An exceptional life; a stunning achievement.   (afterword, source notes, further reading) (Picture book biography. 4-10)

Pub Date: Sept. 4, 2012

ISBN: 978-1-59643-529-2

Page Count: 40

Publisher: Neal Porter/Flash Point/Roaring Brook

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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GOING PLACES

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted.

Imagination soars—quite literally—when a little girl follows her own set of rules.

Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)

Pub Date: March 18, 2014

ISBN: 978-1-4424-6608-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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