A spirited if sometimes familiar retelling of Athena myth and lore that unveils the goddess as a complex, changing personality and object of worship. Hall, former president of the Rhode Island School of Design and author of a biography of the de Koonings (Elaine and Bill: Portrait of a Marriage, 1993), is not a classical scholar, and her book seems aimed more at a popular than scholarly audience. The opening chapter on Athena's prehistoric origins offers a clichÇd account of the evolution of religion from hunting ritual and embraces too easily the pleasing story of the ancient Great- Goddess-worshiping matriarchies. The bulk of the book, however, consists of Hall's vivid retellings of the Athena myth. While not eclipsing Robert Graves or Edith Hamilton, Hall does contribute her own novelistic flair, as when Zeus wakes up ``from a snooze'' to give birth to his daughter, who is pounding ``the inside of the expectant father's cranium.'' More important, by focusing on Athena, the author transforms the goddess from a supporting character to the star she once was. In some cases, the method falters: The retelling of Homer's familiar epics gets tiresome. But many stories come off as both fresh and revealing, whether they concern Athena directly or indirectly (for example, how Hera's breast spewed out the Milky Way). Given the welter of contradictory myths, the ``biographical'' approach is at best a conceit: Athena's evolution from crafty, vengeful warrior to emblem of wisdom and justice makes sense not as an account of an individual's development but as a reflection of the changing times in which her worshipers lived. However, Hall succeeds in making those connections clear, right up through the religious practices of classical Athens and Athena's incorporation into Neoplatonic doctrine. Bringing out a full-bodied Athena, Hall leaves one wanting to reread the ancients and think again about the gods. (b&w photos, not seen)

Pub Date: May 1, 1997

ISBN: 0-201-87046-0

Page Count: 288

Publisher: Addison-Wesley

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: March 1, 1997

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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