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ONE DAY

Tender and touching.

A child loses a grandparent, mourns the absence, and constructs a story about where that grandparent may be.

“One day, / Grandpa is gone,” opens this Korean import, told in a direct, forthcoming voice. With “Grandpa is gone” as a stark repeated refrain, the grieving grandchild chronicles the absence: Grandpa’s shoes are still in the closet, “waiting to be worn”; he’s not there to pick up his name stamp from the stationery store; and everyone asks about him. Why, the child wonders, would Grandpa leave so suddenly, without any goodbyes? But as readers learn about the loss, intermittent spreads reveal an imagined destination for Grandpa: his own planet, complete with the tailoring shop he had during his life. The double gatefold that closes the book reveals even more details, the child speculating that perhaps Grandpa now lives in this place “full of dazzling stars.” In this fantastical place, the beloved objects of Grandpa’s world walk on feet or fly through space; a button hangs in the sky like a planet; and a pincushion serves as a moon. The book’s plainspoken, authentically childlike observations are poignant in their restraint: At one point, the child, wrapped in Grandpa’s jacket, breathes in his scent, repeating (and seeming to finally accept) that “Grandpa is gone.” The striking dust jacket illustration reveals grandchild (cover) and grandparent (back cover) standing on balls of thread or yarn, doubling as planets, that connect them in the vastness of space.

Tender and touching. (Picture book. 5-12)

Pub Date: Nov. 2, 2021

ISBN: 978-1-59270-313-5

Page Count: 48

Publisher: Enchanted Lion Books

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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