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PILGRIM

RISKING THE LIFE I HAVE TO FIND THE FAITH I SEEK

An unsatisfying memoir of the search for meaning.

A New Yorker’s wandering spiritual memoir.

In his late 50s, former Parade editor in chief Kravitz (Unfinished Business: One Man's Extraordinary Year of Trying to Do the Right Things, 2010) decided that he needed to find a spiritual dimension to his life. Raised as a Jew, he rejected the religion of his family out of hand due to a distaste for the services of his youth. As a young man, Kravitz dabbled in Christianity but then spent nearly four decades suppressing or ignoring any spiritual desires and instincts. This was largely due to the fact that his wife (also born Jewish) was steadfastly atheist. Though Kravitz paints his wife’s atheism as a source of tension, readers find her to be a tolerant, even supportive, partner in the midst of his quest for meaning. Given the book’s subtitle, readers await a climactic moment of conflict, yet nothing of the sort arises. Kravitz seems to be risking little for his faith, and his struggle seems especially insignificant in the shadow of his immigrant ancestors’ memories. The author’s two-year journey of faith traditions was one that could only exist in a place like New York. He sat in on Quaker meetings and was drawn into transcendental meditation. He explored chanting and Buddhism and even consulted with an astrologer. In the end, he settled on Jewish Renewal, in which mysticism and Eastern religions inform ancient Jewish ritual, and he joined a Renewal synagogue near his home. Readers may be convinced that this may simply be a pit stop, not an ending point, for the author. Kravitz is unclear on whether he believes in an actual, supernatural God, though he makes it clear that he is unconcerned what path his children take, “[a]s long as they lead empathic, meaning-filled lives.”

An unsatisfying memoir of the search for meaning.

Pub Date: June 1, 2014

ISBN: 978-1-59463-125-2

Page Count: 304

Publisher: Hudson Street/Penguin

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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