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THE ANCESTOR

An offbeat and gripping novel of family pain.

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In Goldberg’s novel of the past and present, a 19th-century man finds himself in modern-day Alaska.

In 2020, a mysterious man finds himself stranded in the freezing wilderness. He doesn’t know where he is or how he got there, or even his name. He’s about to be eaten by a pack of wolves when a pair of hunters save him by shooting off their guns. From a distance, the man notices that one of the hunters looks exactly like him; he hides and sneaks into the back of the hunters’ truck. It ends up in Laner, Alaska, where Travis Barlow, the look-alike, lives with his wife, Callie, and their son, Eli. Travis’ father, Stu, is the town sheriff, and Travis’ grandfather Clifford lives nearby. Travis once had a brother, Bobby, whose cause of death remains a mystery. The newcomer finds a journal in his coat, which helps his memory. His name is Wyatt Barlow, and in 1898, he left his Washington farm to seek gold in Alaska. He determines that he must be a Barlow ancestor who somehow ended up in the future; he also misses his wife and son and recalls a horrible crime he committed. At first, Wyatt scavenges around Laner for food and shelter while taking trips to Travis’ house to spy on the family: “Is this the wife and son he craves?” Eventually, Wyatt presents himself to Travis, who experiences “the awe that a doppelgänger can unearth.” The moment gives them the feeling of “eras colliding.” Travis helps Wyatt get a job, and he, too, becomes fascinated by his double. Travis has been in a rut, and Wyatt’s presence fills him with a sense of adventure, but Wyatt’s plans are less clear as he plots his own future.

Over the course of this novel, Goldberg demonstrates an impressive command of his ensemble, smoothly differentiating multiple characters and detailing their arcs through time. He always keeps the plot moving forward, even when characters turn to the past, such as Stu, who can’t let go of Bobby’s death, and Wyatt, who wishes his wife and child had followed him to the present. Moments of humor brighten the story, as when Wyatt, at length, recalls a fellow traveler correctly identifying him as a gold-rusher: “What gave it away?” Wyatt asks. The man replies, “There ain’t a stench of fish or God on ya.” At other points, Goldberg’s writing is more meditative and reaches an impressive level of emotional clarity, as when Travis considers the sea: “This ocean that brings the town life, but has taken it away too. The final resting place for his brother who went out high on bad shit. He never stood a chance, not even from birth.” The small-town setting, the family dynamics, and the abnormal circumstances of Wyatt’s arrival result in a story that blends the familiar and the supernatural in a manner that call Stephen King’s work to mind. That said, Goldberg’s book possesses a flavor all its own—a distinctive mélange of the sincere and the strange.

An offbeat and gripping novel of family pain.

Pub Date: Aug. 21, 2020

ISBN: 978-1-64396-114-9

Page Count: 329

Publisher: All Due Respect

Review Posted Online: May 29, 2020

Kirkus Reviews Issue: July 1, 2020

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WHAT YOU ARE LOOKING FOR IS IN THE LIBRARY

A delightful, gentle unfolding of stories that offer hope and joy to those who find themselves in a pivotal moment in life.

A series of interlocking vignettes follow Tokyo residents who find themselves at the local library.

The Hatori Community House is located adjacent to an elementary school. It houses meeting rooms, a kitchen, and a library. Small but well stocked and boasting a full-time reference librarian, it is this room—and the librarian, Sayuri Komachi—around which each of the stories rotates. All of the library’s patrons are floundering, and a few words and a book recommendation from Ms. Komachi, as well as a little “bonus gift,” set them on the path to seeing more clearly what it is that they hold valuable. (Think a fictional Marie Kondo who doesn't recommend paring down a life cluttered with fears but rather helps a person discover their own way forward.) There is Tomoka, 21, who left her small country town for junior college in Tokyo and now works in the womenswear department of a local general store, feeling unfulfilled and adrift. Ryo, 35, works in the accounts department of a furniture manufacturer but has long dreamed of opening an antiques shop while being terrified of the uncertainty of such a venture. Hiroya, 30, unemployed and living with her mother, trained as an illustrator but has too much anxiety to find and keep a permanent job. Natsumi, 40, a former magazine editor, feels sidelined after returning early from maternity leave after having found herself unexpectedly pregnant at 37. And Masao, 65 and newly retired, finds himself adrift after 42 years of focusing solely on his work to the detriment of hobbies, social connections, and his relationships with his wife and child. Each character is wrought with care, as are their blossoming realizations about how their futures can develop despite their worries.

A delightful, gentle unfolding of stories that offer hope and joy to those who find themselves in a pivotal moment in life.

Pub Date: Sept. 5, 2023

ISBN: 9781335005625

Page Count: 320

Publisher: Hanover Square Press

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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