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THE THINGS BETWEEN US

A MEMOIR

Everyone with a terminally ill parent should read this spare account, which is damn near perfect.

The executive editor of Tin House magazine perfectly captures a middle-aged rite of passage: returning home to help a parent die.

Montgomery grew up in Massachusetts. Jovial “Big Dad,” though emotionally distant, fiercely loved his three kids. Mumzy was a lush, larger than life except when passed out from too much gin. Their offspring escaped in various ways; Montgomery herself married and moved to the West Coast after several fraught vocational crises and love affairs. When her father, whom she had always tried to please, was diagnosed with stomach cancer, she headed east to care for him. Her debut memoir delineates Big Dad’s sickness, Mumzy’s ineffectual courage, the author’s helpless attempts to micro-manage her father’s diet and to control the experience by taking small, useless notes at the doctor’s office. It captures the awkward pressure to have meaningful conversations before it’s too late, the guilt over leaving ailing parents for even an hour, let alone a weekend. Montgomery expertly interweaves the present-tense narration, which describes Big Dad’s decline in the late 1990s with occasional glances back to her ’60s childhood, which are well placed and never gratuitous. Kudos also for her careful attention to the emotional thickets of siblinghood; she subtly renders the struggles and strains among a brother and two sisters suddenly called on to act like adults in a situation that encourages regression to childishness. The author lays bear the trials of alcoholism with a light touch, never descending into whining or acrimony: “I will never be able to explain my mother, but I will most likely spend my life trying. . . . How do you explain that your mother drinks gin and tonics for breakfast? You don’t.”

Everyone with a terminally ill parent should read this spare account, which is damn near perfect.

Pub Date: Aug. 9, 2006

ISBN: 0-7432-9263-4

Page Count: 240

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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