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THE BRAMBLE

This nearly wordless tale offers much for readers to discuss and interpret, as the power of the individual to make a...

In this heartfelt tale, a boy’s encounter with a fantasy world allows him to find acceptance in the real one.

When Cameron tries to join in a game of tag, he’s bullied and teased. The illustrations, done in a comic-book format with multiple panels, heartbreakingly display the boy’s feelings of rejection and loneliness. But when a creature from the bramble leaves an amulet behind, Cameron—like Alice with the White Rabbit—follows the creature through a dark hole. He emerges into a world where an ominous wave brings terror to all the creatures. Despite this, they welcome and befriend him, and when the wave reappears, Cameron bravely faces it. A game of tag defeats the wave, releasing long-lost creatures back to beloved family and friends. Nordling and Zick’s metaphor becomes clear as Cameron returns to reality and finds the courage to challenge the bully to another game of tag. The wave and the bully are one and the same, striking fear into those around, overpowering—even distorting and removing—people’s kindness and friendship. But this time, Cameron is victorious, and the boy accepts him into the group. The artist’s energetic pencil illustrations skillfully create atmospheric environments and intriguing creatures. Different tints are used to indicate the two sides of the bramble, but both worlds are filled with texture and detail.

This nearly wordless tale offers much for readers to discuss and interpret, as the power of the individual to make a negative or positive impact in the world is explored. A good addition to the overcoming-bullies bookshelf . (Picture book. 3-5)

Pub Date: Sept. 1, 2013

ISBN: 978-0-7613-5856-5

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 14, 2013

Kirkus Reviews Issue: July 1, 2013

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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