Any lover of retellings or original fairy tales will enjoy these offerings, whether they’re new to Bardugo’s worlds or are...

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THE LANGUAGE OF THORNS

MIDNIGHT TALES AND DANGEROUS MAGIC

Six reimagined fairy tales set in the Grishaverse.

Bardugo returns to the setting of Shadow and Bone (2012) with both original tales and familiar ones retold. Three are set in the Russia-like Ravka, including “The Witch of Duva.” This “Hansel and Gretel” variant plays on stereotypes about villainy held by protagonist Nadya. (It also replaces candy with mouthwatering meals: “crispy roast goose,” “butter-soaked blini,” “black bread spread with soft cheese,” “hot tea laced with sugar,” “sweet rolls with prune jam.”) From the island nation of Kerch, there’s “The Soldier Prince,” a retelling of The Nutcracker that raises questions about the selfhood of magical creatures. The Fjerdan “When Water Sang Fire” provides a villain origin story for “The Little Mermaid” that owes far more to Disney than to Hans Christian Andersen; it’s nevertheless gorgeously otherworldly. Only the Ravkan stories offer substantial local flavor, though Zemeni Ayama is brown-skinned while the Fjerdan mermaids are fair. Kipin’s two-color illustrated borders build cumulatively and fascinatingly, culminating in a double-page spread for each story. The more stylized illustrations, such as the thorns and labyrinth building slowly around the “Beauty and the Beast” variant “Ayama and the Thorn Wood,” are the most successful; depictions of people are a little cutesy for the eerie prose.

Any lover of retellings or original fairy tales will enjoy these offerings, whether they’re new to Bardugo’s worlds or are established fans . (Fantasy. 12-16)

Pub Date: Sept. 26, 2017

ISBN: 978-1-250-12252-0

Page Count: 288

Publisher: Imprint

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes

LEGEND

From the Legend series , Vol. 1

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)

Pub Date: Nov. 29, 2011

ISBN: 978-0-399-25675-2

Page Count: 336

Publisher: Putnam

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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