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EVEL

THE HIGH-FLYING LIFE OF EVEL KNIEVEL: AN AMERICAN SHOWMAN, DAREDEVIL, AND LEGEND

Inside the life and entertainment career of America's greatest daredevil, who lived “as if his pants were on fire.”

Bestselling author and veteran sports columnist Montville (The Mysterious Montague: A True Tale of Hollywood, Golf, and Armed Robbery, 2008, etc.) points to the first biography of flamboyant risk-taker Robert Craig Knievel (1938–2007) as a cheaply commissioned, “cockeyed” screenplay (George Hamilton starred, angling for a career revival) based on “a collection of tall tales designed by the man himself to make people perk up and pay attention.” It was 1971, and while the film critically tanked, the publicity skyrocketed Knievel’s his popularity. Montville’s version ably describes his childhood raised by his grandparents in depression-era Butte, Mont., and then as a young, street-educated loner and general troublemaker. Greatly entertaining and anecdotal, the narrative covers the controversial aspects of the high flier’s history, tracking Knievel’s fearlessness as record-breaking smaller motorcycle tricks gave way to power-tripping death-wish jumps marked by countless broken bones, hospitalizations and even a coma—all observed by wife Linda and their three children. Whether cruising the talk-show circuit in a zebra-striped leisure suit, crashing onto the pavement at Caesar’s Palace or serving six months in jail for assaulting an event promoter, Knievel consistently treated his adoring (often aghast) fan base to reckless extravaganzas, increasingly perilous stunts and erratic, unbecoming behavior. Montville confidently narrates Knievel’s daredevilry with characteristic panache and presents his subject as a “one man ethical dilemma” who spent the bulk of his career testing the limits of his physical prowess with an unquenchable thirst for fame and fortune. A biography as sensationalist and superior as the daredevil himself.

 

Pub Date: May 3, 2011

ISBN: 978-0-385-52745-3

Page Count: 336

Publisher: Doubleday

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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