by Leila Philip ‧ RELEASE DATE: Oct. 7, 2001
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.
An exquisite rendering of a Hudson Valley family farm, as detailed and colored as a Persian miniature, from Philip (English/Colgate Univ.; The Road Through Miyama, 1989).
Since 1732, Philip’s family has had a farm in Columbia County, New York. Talavera, the farm mansion built by her forebears the Van Nesses, is where her mother lives today, though precariously. Maintaining a farm on such desirable property is tough. The pick-your-own apple and pear operation the family had run for the past few decades produces too little income these days to contend with high taxes and the cost of labor and agricultural inputs. The thought of losing Talavera is crippling to Philip: “I know where I am when I am here. I am home.” Attempting to fathom her attachment, the author reads the wonderfully complete record of diaries and business accounts and work orders that comprise the family archive. They provide a remarkably clear picture of the farm, starting from the years preceding the Civil War. Although the gentleman who built the house was a bit of a local grandee, the Van Ness/Philip family were not country squires, but working farmers who tended orchards and hog operations, horses and field crops. The letters so lovingly kept also reveal a cast of family characters: “The wild aunt, the radical aunt, the aunt who had been forgotten altogether. All had lived at Talavera and had left their mark.” There are rectitudinous men and women, and there are black sheep: “Gaston was sent out of the country for a while until the affair settled down.” And while Philip comes to recognize that Talavera is much a part of her identity, she also begins to understand the Van Ness/Philip brood were a footloose bunch that rarely had a boodle, and if she were forced to surrender Talavera to development, her ties would never be cut.
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.Pub Date: Oct. 7, 2001
ISBN: 0-670-03013-9
Page Count: 288
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Leila Philip
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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