by Leila Philip ‧ RELEASE DATE: Oct. 7, 2001
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.
An exquisite rendering of a Hudson Valley family farm, as detailed and colored as a Persian miniature, from Philip (English/Colgate Univ.; The Road Through Miyama, 1989).
Since 1732, Philip’s family has had a farm in Columbia County, New York. Talavera, the farm mansion built by her forebears the Van Nesses, is where her mother lives today, though precariously. Maintaining a farm on such desirable property is tough. The pick-your-own apple and pear operation the family had run for the past few decades produces too little income these days to contend with high taxes and the cost of labor and agricultural inputs. The thought of losing Talavera is crippling to Philip: “I know where I am when I am here. I am home.” Attempting to fathom her attachment, the author reads the wonderfully complete record of diaries and business accounts and work orders that comprise the family archive. They provide a remarkably clear picture of the farm, starting from the years preceding the Civil War. Although the gentleman who built the house was a bit of a local grandee, the Van Ness/Philip family were not country squires, but working farmers who tended orchards and hog operations, horses and field crops. The letters so lovingly kept also reveal a cast of family characters: “The wild aunt, the radical aunt, the aunt who had been forgotten altogether. All had lived at Talavera and had left their mark.” There are rectitudinous men and women, and there are black sheep: “Gaston was sent out of the country for a while until the affair settled down.” And while Philip comes to recognize that Talavera is much a part of her identity, she also begins to understand the Van Ness/Philip brood were a footloose bunch that rarely had a boodle, and if she were forced to surrender Talavera to development, her ties would never be cut.
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.Pub Date: Oct. 7, 2001
ISBN: 0-670-03013-9
Page Count: 288
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Leila Philip
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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