Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.
by Leila Philip ‧ RELEASE DATE: Oct. 7, 2001
An exquisite rendering of a Hudson Valley family farm, as detailed and colored as a Persian miniature, from Philip (English/Colgate Univ.; The Road Through Miyama, 1989).
Since 1732, Philip’s family has had a farm in Columbia County, New York. Talavera, the farm mansion built by her forebears the Van Nesses, is where her mother lives today, though precariously. Maintaining a farm on such desirable property is tough. The pick-your-own apple and pear operation the family had run for the past few decades produces too little income these days to contend with high taxes and the cost of labor and agricultural inputs. The thought of losing Talavera is crippling to Philip: “I know where I am when I am here. I am home.” Attempting to fathom her attachment, the author reads the wonderfully complete record of diaries and business accounts and work orders that comprise the family archive. They provide a remarkably clear picture of the farm, starting from the years preceding the Civil War. Although the gentleman who built the house was a bit of a local grandee, the Van Ness/Philip family were not country squires, but working farmers who tended orchards and hog operations, horses and field crops. The letters so lovingly kept also reveal a cast of family characters: “The wild aunt, the radical aunt, the aunt who had been forgotten altogether. All had lived at Talavera and had left their mark.” There are rectitudinous men and women, and there are black sheep: “Gaston was sent out of the country for a while until the affair settled down.” And while Philip comes to recognize that Talavera is much a part of her identity, she also begins to understand the Van Ness/Philip brood were a footloose bunch that rarely had a boodle, and if she were forced to surrender Talavera to development, her ties would never be cut.
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.Pub Date: Oct. 7, 2001
ISBN: 0-670-03013-9
Page Count: 288
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
Categories: BIOGRAPHY & MEMOIR | GENERAL NONFICTION
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BOOK REVIEW
by Leila Philip
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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