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THE HAPLESS VALET

A DRAPER BURNS MYSTERY

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In Stevens’ debut novel, a celebrity with a history of eco-terrorism, a 1950s film noir star’s mysterious past and a jazz club owner looking to make fast money collide in rainy Portland with professional valet Draper Burns (that’s the jack-of-all-trades servant kind, not the kind that parks cars).

Dressed fancily and with a penchant for stealing wristwatches, Burns is a charismatic, untrusting hero. Given the assignment of learning more about the movie-making business by his businessman boss, Hap Wiseman, who just acquired a production company, Burns discovers colorful characters and a murder mystery. With a quick pace and enough twists to keep the reader guessing nearly until the last paragraph, the book is easily accessible and engaging. Each of the characters gets a moment to shine, and Stevens doesn’t waste time on complicated subplots or (too many) romantic rendezvous. With rotating points of view, the book shows a thorough grasp of Hollywood moviemaking and the strange types that inhabit that world. There are, however, a few minor bumps along the road. The opening of the book is more confusing than engaging, with heavily accented dialogue that works better in the smaller bits later on in the book, and this confusion is compounded by uncoordinated action. Stevens also has a habit of trying to trick the reader by describing a character in generalities (like “man”) instead of using their names, even if the reader and the narrating character already know the mystery character’s name. While this is done to deliberately mislead the reader (and it works well once or twice), it’s more distracting than clever and happens frequently enough to get tiresome. Although there’s nothing especially new or unique about the book, its accessibility and great cast of characters are more than enough to please mystery readers.

 

Pub Date: Sept. 1, 2010

ISBN: N/A

Page Count: 314

Publisher: Harté

Review Posted Online: Jan. 25, 2012

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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