by Lennie Goodings ‧ RELEASE DATE: June 9, 2020
An informative, occasionally dry account of a publishing house that has mostly succeeded in its mission “to rock the boat.”
The history of a pioneering publishing company devoted to women writers, as told by one of its longtime publishers.
In 1978, at age 25, Goodings, the chair of Virago Press, arrived in London from her native Canada determined to succeed in publishing. Her first job was as an assistant to a man at a publicity company who bellowed, “Coffee please!” and called her a communist when she suggested he could get it himself. It wasn’t long before she joined Virago, one of the first publishing houses devoted to championing the works of women. When Goodings asked Carmen Callil, the founder, why she started the company, Callil said, “To change the world, darling. That’s why.” In her debut memoir, Goodings charts the company’s history and offers observations on not just “the march of feminism,” but also editing, reading, so-called post-feminism, and more. Much of the book reads like an expanded catalog of Virago titles, with dozens of examples of the authors and books they publish, and the tone can be self-congratulatory and defensive. Of women who criticized Virago for not being radical or independent enough, the author writes, “How many people have you reached? How many lives have you touched? Have you changed anyone’s mind? Given anyone joy? Inspired change?” Goodings defends Virago’s many compromises—selling to Little, Brown in 1995, publishing “celebrity feminists”—as necessary steps toward a bigger goal. But that goal was vital, and the book is strongest when Goodings shares anecdotes about the many women authors she has worked with. Among them are Margaret Atwood, whose attitude toward late trains and clueless interviewers was a carefree, “never mind, it’s all material” for future books; and Adrienne Rich, who, when a female hotel receptionist apologized for reserving a double bed after seeing Rich’s female partner, “calmly, graciously, put out her hand for the key and said, ‘Yes, that’s right.’ ”
An informative, occasionally dry account of a publishing house that has mostly succeeded in its mission “to rock the boat.”Pub Date: June 9, 2020
ISBN: 978-0-19-882875-4
Page Count: 304
Publisher: Oxford Univ.
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: March 1, 2020
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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