A haunting reminder about the loss of innocence.
In Skomal’s (Bluff, 2012, etc.) YA novel, a group of children in a small Midwestern town learns about the harsh realities of life after the Korean War.
The children of Sand Flats, Neb., may be off from school for the summer, but they’re definitely not on vacation. It’s 1954, and Hap, Patsy, Beah and Raz meet amid the fallout of the Korean War, which has ravaged their lives. Hap, who looks “like a wax museum statue of Peter Pan,” is as lost and motherless as the boy who wouldn’t grow up. He’s abused by his father and tries to build his own, better world. Hotheaded Patsy just moved to town (after being suspended from her last school for fighting) and must learn to deal with her brother’s serious injury, which he sustained during the war and has sent him to the VA hospital. She also must come to terms with her brother’s secrets, which threaten the family’s stability. Then there are Beah, who lives in the shadow of her deceased older brother, and Raz, who is Jewish and has an “innate beauty” that sets her apart from the others. This coming-of-age story follows the group’s members, who meet for the first time that fateful summer and contend with murder, lies from their parents, lies to their parents, missing limbs, homosexuality, theft and abuse. Together, they learn the importance of friendship, truth and honesty, and they also learn that life is rarely easy. It’s a dark story about a dark world, but Skomal makes the story readable and lovely via her prose. Sand Flats—a deep-rooted cattle-farming community 20 miles from Omaha that “came to life thanks to the Union Pacific Railroad’s western push to develop the rail clear to California in the late 1800s”—itself becomes a main character. By placing this group of children, their parents and other townspeople in this distinct geographic location, Skomal has created a world that couldn’t take place anywhere else.
A haunting reminder about the loss of innocence.Pub Date: March 23, 2013
ISBN: 978-1478192497
Page Count: 290
Publisher: CreateSpace
Review Posted Online: May 13, 2013
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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