As the heroine aptly says: “It’s a Hallmark movie except for all the dead people.”


Prospero "Whip" Stark, the ex–baseball pitcher who owns Arizona’s Double Wide trailer park, juggles three murder cases, two of them with uncomfortably personal connections.

Whip’s girlfriend, KPIN-TV reporter Roxanne Santa Cruz, calls him one morning to ask him to check up on Ash Sterling, the mortally ill Afghan war hero and admitted leader of the Champagne Cowboys, a highly successful gang of thieves, whom Roxy’s been interviewing in what looks like his final days. And so they are. Accompanied by his buddy Cashmere Miller, Double Wide tenant and convicted felon, Whip finds Sterling shot to death, presumably before he could spill the beans about the Foothills murders, whose victims, attorney Paul Morton and his wife, Donna, were good friends of Whip’s. Evidence placed the Cowboys at the murder scene, and although Sterling insists that he and his buddies would never kill anybody, he hinted the night before his death that he knew more about the case than he’d told anyone. Prompted by the discovery that the Cowboys included Sterling’s fellow vets Pvt. Titus Ortega and Lance Cpl. Vincent Strong, Whip (Double Wide, 2018) is eager to pursue Sterling’s killer and even more eager to discover who shot the Mortons. But there’s a third case that will always be first in his heart: the fatal stabbing of Cristy Carlyle, for which Whip’s father, Sam Houston Stark, a beloved professor at Arizona State before he got dragged down by heroin, was arrested, tried, and imprisoned. It’s bad enough that leads in this cold case are scant; what’s even worse is that Wanda Dietz, the Tempe Police Department detective who arrested Sam, shows absolutely no interest in following them up. Whip’s adventures bring him up against a broad spectrum of variously untrustworthy and clueless types, from a priest with an eye for the dollar to a “food court twerp” whose hilariously demented dialogue seems copied verbatim from a comic strip.

As the heroine aptly says: “It’s a Hallmark movie except for all the dead people.”

Pub Date: March 2, 2020

ISBN: 978-1-73242-264-3

Page Count: 267

Publisher: Brash Books

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.


A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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