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REDEMPTION

A sequel to Trinity, Uris's 1976 bestseller, that's as great and chaotic a muddle as Ireland's lengthy struggle for independence — which again serves as backdrop for what's essentially a multifamily chronicle. At the heart of the narrative is Rory Larkin, a wild colonial lad whose father (Liam) fled the Emerald Isle's grinding poverty during the mid-1890's. Although he enjoys great success as a New Zealand sheep-rancher, the squire misses his homeland. Despite an inability to express any paternal feelings for Rory, father Liam and uncle Conor (an itinerant Republican who figured prominently in Trinity) convey to the young man their love of country. Eventually, underage Rory (who's been having an affair the older married Georgia Norman, a noble and sensual nurse) marches off to WW I under an assumed name. He serves in an ANZAC outfit commanded, among other officers, by scions of an Ulster peer named Roger Hubble, who's loyal to the Crown and a nasty piece of work to boot. Rory earns a commission, mates up with men who would've been his enemies in the UK, survives Gallipoli, and is sent to the British Isles to recover from wounds. On the auld sod as aide to the brigadier Westminster assigned to pacify Irish Catholics after the Easter Uprising of 1916, Captain Rory falls in with rebel plotters, providing critical aid in the assassination of his despised CO. Protestant sympathizers persuade (would you believe?) Winston Churchill to doctor army records, and Rory lad is off on a long voyage home to be met by Liam (with whom he's been reconciled) and Georgia (the mother of his child and, surprise, now divorced). In this uneasy blend of fact and fancy, Uris frequently allows his virulently anti-British sentiments to get the better of his storytelling. Nor is he particularly adept at integrating mini-history lessons into a convoluted tale replete with studly (if honorable) Paddies, brutish Brits, and their saintly womenfolk. For those who hung on Battle Cry, Exodus, Topaz, and other Uris offerings, then, a considerable disappointment.

Pub Date: June 10, 1995

ISBN: 0-06-018333-0

Page Count: 480

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1995

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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