If Watership Down were to meet the Flashman novels—well, the result still wouldn’t be quite like this perky debut, not until you threw in a little Rebecca of Sunnybrook Farm, maybe.
Rabbits don’t live overly long. William, a white rabbit—cue Jefferson Airplane on the soundtrack if you will and must—is 11, a ripeness that “obliges me to press on with my storytelling.” William is a winsome character, his granny, Old Lavender, a little less tender but always good for a morsel of wisdom: “The most interesting things in life cannot be seen, William,” she intones, which is perhaps why lagomorphs—not rodents, mind you—are so committed to digging deep down into the earth. In debut novelist Francombe’s charming confection, William determines that the burrow in which he lives was once part of the Belgian battlefield on which Napoleon and Wellington slugged it out for the last time, which means that plenty of ancestral rabbits must have been blown to bits two centuries ago but also that the survivors “had not been too traumatized to procreate.” Chasing down the reverberations of that history through modern rabbitdom, Francombe would seem to be serving up an allegory, and though what she’s allegorizing isn’t exactly clear—war, memory, the importance of family, and maybe even rabbit-free cuisine are all thematic candidates—she never lets on that this coney island of the mind isn’t an impossibility. Nicely developed, too, is her sense of how rabbits think of time: there isn’t a lot of it in their world, but that doesn’t mean that one needs to scamper about mindlessly, for, to quote William by way of Old Lavender once more, “to do something important at the wrong moment is worse than not doing it at all.” You’d look high and low, too, for a better description of how rabbits actually are—twitchy and pensive but also content to spend their days “eyes half shut, contemplating the infinite.”
Engaging, pleasantly written, and endlessly inventive: all promising signs and a reader’s delight.Pub Date: June 1, 2015
ISBN: 978-0-393-24691-9
Page Count: 236
Publisher: Norton
Review Posted Online: March 19, 2015
Kirkus Reviews Issue: April 1, 2015
Categories: HISTORICAL FICTION
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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
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PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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