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MINCEMEAT

THE EDUCATION OF AN ITALIAN CHEF

A wickedly candid memoir.

An Italian chef’s no-holds-barred memoir of his love-hate relationship with cooking and the cutthroat world of restaurant cuisine.

The India-born son of “Italian hippies,” Lucarelli stumbled into his profession at age 19 when he told Sandro, a man who had just lost his sous-chef, that he knew “how to cook a little.” His experience was greater than Lucarelli let on: at home, his father had shown him how to turn “cooking into pleasure.” Though an impoverished university student in Rome at the time, he began to work in the kitchen; the author’s adroitness as a shoplifter allowed him to buy expensive foods he used for culinary experiments popular among his friends. Lucarelli never intended on making cooking a career, but the next job that followed—for which he submitted a resume “jam-packed with blatant lies”—was also in the kitchen. As he moved from restaurant to restaurant in Rome and northern Italy, he quickly learned that while the food business never guaranteed security, it also never lacked for colorful characters, such as bosses who could never be trusted to pay on time (or even at all) and co-workers “with troubled pasts and present lives wasted by drugs and alcohol.” In between screaming at other chefs, finding and losing jobs, dating sleazy waitresses, drinking, and doing drugs, Lucarelli also learned how to set up and organize restaurant kitchens and menus. Yet rather than continue to follow the tortured and chaotic path to culinary stardom, he fell in love with a “very shy girl” named Giuliana. Together, they had a son, who taught Lucarelli that the most meaningful life emphasized family over the pursuit of egoistical pleasures like opening his own restaurant and relentlessly running after Michelin star–glory. Wise and often very funny, the book offers sumptuous glimpses into human foibles and provides readers an unforgettable taste of the unabashedly sordid realities that underlie the high-gloss world of Italian cuisine.

A wickedly candid memoir.

Pub Date: Dec. 6, 2016

ISBN: 978-1-59051-791-8

Page Count: 352

Publisher: Other Press

Review Posted Online: Sept. 25, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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