A complex, ambitious, and thought-provoking novel about unifying love.
Unwitting players in a universe-spanning game make choices that will determine Earth’s survival in this novel of ideas.
New York City–based investment banker David Cornwell is selfish, arrogant, and obsessed with winning. He loves his job: “The pure, shameless focus on making outrageous amounts of money. On being the first. The top. The richest. The best.” Meanwhile, on a world called Home Planet, a gray being called Noœ-bouk uses his energy-channeling abilities to help along the planet’s long-term development. Next, Noœ-bouk will travel to Earth in an attempt to help it to ascend to a new plane of consciousness. Elsewhere, in what seems to be a huge library, the newly dead Sir Alisdair McCauley meets Duncan, a guide who will prepare him to review his happy, successful life. Back in London, Alisdair’s beloved, free-spirited granddaughter, Elspeth, decides whether she should take the guaranteed job that he’d arranged for her. But as Noœ-bouk, Alisdair, and Elspeth take steps toward greater knowledge and freedom, David spirals downward, committing a terrible crime. All their destinies turn out to be part of a massive “unity game,” which eventually leads to love, experienced in every possible manifestation. Meriel (The Woman Behind the Waterfall, 2016) transcends genre in this novel, employing elements of magical realism, science fiction, love stories, and philosophy as well as keen-eyed social critique, employing a range of voices. The novel requires some patience, particularly during the sections dealing with Noœ-bouk’s narrative, written in a remote, dry, and abstract tone and requiring readers to assimilate a good deal of information. Yet the story of Noœ-bouk (which later includes another character, Adm. Ba-hutá) becomes, in its way, a deeply romantic tale of love and sacrifice. Problematic, though, is the idea that earthly injustice or evil is merely a “brave life path” freely chosen by advanced souls. This view makes sense of why someone like David might deserve redemption, but many readers may find it hard to swallow nonetheless.
A complex, ambitious, and thought-provoking novel about unifying love.Pub Date: May 1, 2017
ISBN: 978-1-911079-43-9
Page Count: 342
Publisher: CreateSpace
Review Posted Online: April 11, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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