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THE UNITY GAME

A complex, ambitious, and thought-provoking novel about unifying love.

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Unwitting players in a universe-spanning game make choices that will determine Earth’s survival in this novel of ideas.

New York City–based investment banker David Cornwell is selfish, arrogant, and obsessed with winning. He loves his job: “The pure, shameless focus on making outrageous amounts of money. On being the first. The top. The richest. The best.” Meanwhile, on a world called Home Planet, a gray being called Noœ-bouk uses his energy-channeling abilities to help along the planet’s long-term development. Next, Noœ-bouk will travel to Earth in an attempt to help it to ascend to a new plane of consciousness. Elsewhere, in what seems to be a huge library, the newly dead Sir Alisdair McCauley meets Duncan, a guide who will prepare him to review his happy, successful life. Back in London, Alisdair’s beloved, free-spirited granddaughter, Elspeth, decides whether she should take the guaranteed job that he’d arranged for her. But as Noœ-bouk, Alisdair, and Elspeth take steps toward greater knowledge and freedom, David spirals downward, committing a terrible crime. All their destinies turn out to be part of a massive “unity game,” which eventually leads to love, experienced in every possible manifestation. Meriel (The Woman Behind the Waterfall, 2016) transcends genre in this novel, employing elements of magical realism, science fiction, love stories, and philosophy as well as keen-eyed social critique, employing a range of voices. The novel requires some patience, particularly during the sections dealing with Noœ-bouk’s narrative, written in a remote, dry, and abstract tone and requiring readers to assimilate a good deal of information. Yet the story of Noœ-bouk (which later includes another character, Adm. Ba-hutá) becomes, in its way, a deeply romantic tale of love and sacrifice. Problematic, though, is the idea that earthly injustice or evil is merely a “brave life path” freely chosen by advanced souls. This view makes sense of why someone like David might deserve redemption, but many readers may find it hard to swallow nonetheless.

A complex, ambitious, and thought-provoking novel about unifying love.

Pub Date: May 1, 2017

ISBN: 978-1-911079-43-9

Page Count: 342

Publisher: CreateSpace

Review Posted Online: April 11, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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