Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THE UNITY GAME

A complex, ambitious, and thought-provoking novel about unifying love.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Unwitting players in a universe-spanning game make choices that will determine Earth’s survival in this novel of ideas.

New York City–based investment banker David Cornwell is selfish, arrogant, and obsessed with winning. He loves his job: “The pure, shameless focus on making outrageous amounts of money. On being the first. The top. The richest. The best.” Meanwhile, on a world called Home Planet, a gray being called Noœ-bouk uses his energy-channeling abilities to help along the planet’s long-term development. Next, Noœ-bouk will travel to Earth in an attempt to help it to ascend to a new plane of consciousness. Elsewhere, in what seems to be a huge library, the newly dead Sir Alisdair McCauley meets Duncan, a guide who will prepare him to review his happy, successful life. Back in London, Alisdair’s beloved, free-spirited granddaughter, Elspeth, decides whether she should take the guaranteed job that he’d arranged for her. But as Noœ-bouk, Alisdair, and Elspeth take steps toward greater knowledge and freedom, David spirals downward, committing a terrible crime. All their destinies turn out to be part of a massive “unity game,” which eventually leads to love, experienced in every possible manifestation. Meriel (The Woman Behind the Waterfall, 2016) transcends genre in this novel, employing elements of magical realism, science fiction, love stories, and philosophy as well as keen-eyed social critique, employing a range of voices. The novel requires some patience, particularly during the sections dealing with Noœ-bouk’s narrative, written in a remote, dry, and abstract tone and requiring readers to assimilate a good deal of information. Yet the story of Noœ-bouk (which later includes another character, Adm. Ba-hutá) becomes, in its way, a deeply romantic tale of love and sacrifice. Problematic, though, is the idea that earthly injustice or evil is merely a “brave life path” freely chosen by advanced souls. This view makes sense of why someone like David might deserve redemption, but many readers may find it hard to swallow nonetheless.

A complex, ambitious, and thought-provoking novel about unifying love.

Pub Date: May 1, 2017

ISBN: 978-1-911079-43-9

Page Count: 342

Publisher: CreateSpace

Review Posted Online: April 11, 2017

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 58


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 58


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview