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MR. UNTOUCHABLE

The tale of a crime lord that’s as vicious, graphic and entertaining as anything out there today.

A generation ago, Nicky Barnes was notorious as Harlem’s prime retailer of quality heroin. Now he tells his gripping story.

Of course, it must not be the whole story, but what there is smacks of attitude. It is a chronicle of Barnes’s thug life, complete with his crew, his women, his warriors and his enemies on both sides of the law. It’s low life living the high life, tax-free, with lots of freaky sex, many penthouse apartments, pricey cars and heavy bling before it was called bling. Barnes was featured in a lead piece in the New York Times Magazine and inspired the hit “Bad, Bad Leroy Brown.” Back in the day, he says, the city was his. Learning from the mob, he formed a Council to manage the distribution of drugs and eliminate any DEA snitch who was fingered by his potent counterintelligence. We learn, in pointed language, of booze, weed and guns. The ways of each mo-fo and of every ho is sharply etched. Eventually, his “continuing criminal enterprise” collapsed. (Insufficient family values, Barnes supposes.) The author went to federal prison and when he couldn’t run the Council (or his women) from the joint, he destroyed it (and them). Now, still proud of his superior intelligence, he is in the witness protection program. His fierce text says virtually nothing of the effect of his enterprise on the customers he supplied. That isn’t a concern in this brutal, scorching book.

The tale of a crime lord that’s as vicious, graphic and entertaining as anything out there today.

Pub Date: March 6, 2007

ISBN: 1-59071-041-X

Page Count: 352

Publisher: Rugged Land

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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