A collection that shows how far a city can come and still maintain a strong noir tradition.

MIAMI NOIR

THE CLASSICS

Nineteen classic tales of gloom from the Sunshine State.

Although the stories, all of them reprints, are grouped thematically into four sections, they’re arranged chronologically, and their development over the 90-plus years they span is startling. In Marjory Stoneman Douglas’ 1925 “Pineland,” Miami is largely rural, even wilder in its landscape than the orderly groves of Orange County, which its pioneer heroine abandons for the pine forests further south. Nature is also the greatest threat in the excerpt from Zora Neale Hurston’s 1937 classic, Their Eyes Were Watching God. But in Damon Runyon’s “A Job for the Macarone,” written the same year, people are the authors of their own doom. They lie, cheat, and double-cross each other, and they go right on doing so in Brett Halliday’s 1944 novella, A Taste for Cognac. By the ’70s and ’80s, the focus begins to shift to political and social ills. The Cuban migration serves as backdrop for an excerpt from Douglas Fairbairn’s “Street 8,” and Charles Willeford explores predatory sexual behavior among single men in “Saturday Night Special.” The economic angst of the 1990s is highlighted in Elmore Leonard’s “The Odyssey,” T.J. MacGregor’s “The Works,” Lynne Barrett’s “To Go,” and editor Standiford’s “Tahiti Junk Shop.” And as the 21st century dawns, stories like Vicki Hendricks’ “Gators” and Preston L. Allen’s “Superheroes” are markedly more sexualized, and the hardscrabble Little Havana setting of “Street 8” is reinvented as fabulous South Beach in Carolina Garcia-Aguilera’s “Washington Avenue.”

A collection that shows how far a city can come and still maintain a strong noir tradition.  

Pub Date: Nov. 17, 2020

ISBN: 978-1-61775-806-5

Page Count: 400

Publisher: Akashic

Review Posted Online: July 29, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.

THE INVESTIGATOR

A domestic-terrorist plot gives the adopted daughter of storied U.S. Marshal Lucas Davenport her moment to shine.

Veteran oilman Vermilion Wright knows that losing a few thousand gallons of crude is no more than an accounting error to his company but could mean serious money to whomever’s found a way to siphon it off from wells in Texas’ Permian Basin. So he asks Sen. Christopher Colles, Chair of Homeland Security and Government Affairs, to look into it, and Colles persuades 24-year-old Letty Davenport, who’s just quit his employ, to return and partner with Department of Homeland Security agent John Kaiser to track down the thieves. The plot that right-winger Jane Jael Hawkes and her confederates, most of them service veterans with disgruntled attitudes and excellent military skills, have hatched is more dire than anything Wright could have imagined. They plan to use the proceeds from the oil thefts to purchase some black-market C4 essential to a major act of terrorism that will simultaneously express their alarm about the country’s hospitality to illegal immigrants and put the Jael-Birds on the map for good. But they haven’t reckoned with Letty, another kid born on the wrong side of the tracks who can outshoot the men she’s paired with and outthink the vigilantes she finds herself facing—and who, along with her adoptive father, makes a memorable pair of “pragmatists. Really harsh pragmatists” willing to do whatever needs doing without batting an eye or losing a night’s sleep afterward.

Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.

Pub Date: April 12, 2022

ISBN: 978-0-593-32868-2

Page Count: 400

Publisher: Putnam

Review Posted Online: Jan. 26, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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Plenty of pain for the characters, plenty of thrills for the reader.

CITY ON FIRE

A blistering novel filled with anger and bite.

Danny Ryan is a dockworker in Providence, Rhode Island, who’s “faithful like a dog” to his wife, Terri, of the rival Murphy clan, and sometimes does some less-than-legal errands for his father-in-law, John. He wants more out of his life and wants to “not owe nobody nothing,” but nobody ever leaves Dogtown. One day at the beach, he sees “the goddess who came out of the sea” and who “has a voice like sex.” Terri's brother Liam Murphy accidentally-on-purpose touches the woman’s breast, which sets off a chain reaction of events in which bullets fly and f-bombs and their ilk swarm like cicadas on nearly every page. You know, you just don’t touch a made guy’s woman, and the goddess is going out with Paulie Moretti. The Providence press gleefully reports the other-side-of-the-tracks bloodletting among men who supplement their wages with hijacking trucks and boosting heroin. So Danny wants out with his wife and son, but—well, it’s complicated. Chances are they’ll have to live and die in Dogtown. And, oh yeah, Danny loathes his rich mother, who tries so hard to make amends for abandoning him. The characters are as vividly described as some of them are vile: One guy “never met a job he couldn’t lose.” John Murphy is “the king of an empire that died a long time ago. The light of a long-dead star.” At the ocean, Danny observes that the “whitecaps look like the beards of sad old men.” A Murphy declares, “That Ryan blood….It’s cursed.” But the Murphy blood isn’t exactly touched by angels either. And then there are the Morettis, all of them trapped in a cycle of crime and violence, just looking for an excuse to go to war. One difference between Danny and some of the others is he’s never killed anybody. Yet. Meanwhile, a planned heist might just solve some financial problems for whoever survives all the betrayals.

Plenty of pain for the characters, plenty of thrills for the reader.

Pub Date: April 26, 2022

ISBN: 978-0-06-285119-2

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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