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THE MAN WHO INVENTED CHRISTMAS

HOW CHARLES DICKENS’S A CHRISTMAS CAROL RESCUED HIS CAREER AND REVIVED OUR HOLIDAY SPIRITS

A lot of information crammed into a few pages, but the modest thesis rings true.

Novelist and popular historian Standiford (Washington Burning: How a Frenchman’s Vision of Our Nation’s Capital Survived Congress, the Founding Fathers, and the Invading British Army, 2008, etc.) revisits the genesis of the great English writer’s most enduring book.

Also scattered through the text are stories about how December 25 became Christmas; how fir trees, greeting cards, turkeys and Santa got involved; and how Christmas transformed from a minor holiday, secondary on the Christian calendar to Easter, into the multimonth mega-holiday/shopping spree it has become. Charles Dickens (1812–70), Standiford asserts, set a-rolling down history’s hill the giant Christmas snowball we now enjoy—or endure or deplore. The author easily, graciously and repeatedly acknowledges his debt to the heavy lifting of other scholars, principally biographer Peter Ackroyd (Dickens, 1990) and indefatigable literary historian Michael Patrick Hearn (The Annotated Christmas Carol, 2003). In many instances, Standiford is summarizing, musing and generalizing, but effectively so. One major narrative thread is Dickens’s troubled childhood, which occasioned some of the greatest fiction in the English language. At the time he created A Christmas Carol (1843), however, the author’s career was slipping. Martin Chuzzlewit, still in serial, was not faring well and he was in debt and additionally burdened by supporting his improvident father. He wrote his Christmas fable in six swift weeks, and the first printing of 6,000 copies sold out in days, though the expenses of publication negated much of the author’s initial profit. Career revived, Dickens wrote four more Christmas books, all popular and all swiftly summarized here. A Christmas Carol would prove astonishingly durable, transforming into plays, films, cartoons, radio and TV shows, and an irascible Disney drake named McDuck. The author rightly focuses on the secular humanism and benevolence Dickens espoused.

A lot of information crammed into a few pages, but the modest thesis rings true.

Pub Date: Nov. 25, 2008

ISBN: 978-0-307-40578-4

Page Count: 256

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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