by Les Standiford ‧ RELEASE DATE: March 31, 2015
Generally sympathetic to its subject and well-written but to be consulted only after William Kahrl’s Water and Power (1982)...
Dutiful story of a man who, not having finished high school, “let alone set foot in an engineering class,” designed a metropolitan water system that is still in use today.
Irish immigrant William Mulholland’s (1855-1935) construction of a water grid centered on the Los Angeles River, which captivated him when he arrived in 1877, inarguably made the LA of today possible, for better or worse; more than 10 million citizens depend on it to some degree or another. Yet Mulholland was nearly condemned to oblivion after a dam collapsed in 1928 in the mountains above the city, an event considered by some to be the worst engineering failure in American history. Standiford (Desperate Sons: Samuel Adams, Patrick Henry, John Hancock, and the Secret Bands of Radicals Who Led the Colonies to War, 2012, etc.) examines the events of Mulholland’s life up to that disaster, praising him for squarely accepting responsibility: “Devastated by the event that refashioned him from civic hero to villain in an eye-blink, Mulholland would at one point confide to a reporter, ‘I envy those who were killed.’ ” There are better books on the politics and history of water in Southern California, and sometimes it seems that Standiford is generating words just to fill space as he plumbs his topic—e.g., turning Edward Abbey’s stirring aperçu on the visual splendor of the West into the lame observation, “in the elemental landscape of Jawbone Canyon, no such problem presents itself.” The portrait that emerges is of a determined public servant who was in the right place at the right time, demonized by later generations for his role in removing water from other parts of California in order to shape a metropolis. The added value of Standiford’s book largely comes in its closing pages, in which he examines the now-canonical script for Chinatown and separates history from fiction.
Generally sympathetic to its subject and well-written but to be consulted only after William Kahrl’s Water and Power (1982) and Marc Reisner’s Cadillac Desert (1986).Pub Date: March 31, 2015
ISBN: 978-0-06-225142-8
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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edited by Les Standiford
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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