by Lesa Cline-Ransome ; illustrated by James E. Ransome ‧ RELEASE DATE: April 1, 2014
A solid exploration of a resonant musical partnership at a historically significant moment in American music.
This married author-illustrator team (Light in the Darkness, 2013, etc.) here highlights the innovative, barrier-breaking collaboration of African-American Wilson and Jewish-American Goodman.
Cline-Ransome’s staccato verse narrative articulates the musicians’ parallel paths to their eventual collaboration. She contrasts their backgrounds, describing dedicated musical training, early jazz influences and stints in various bands. (Wilson, the son of Tuskegee educators, studied music theory in college in Alabama, while Goodman got free synagogue music lessons and gigged around Chicago, quitting school at 14.) The two are introduced in Queens, N.Y., in 1935 and click during an impromptu jam. Benny forms a trio with Wilson and drummer Gene Krupa, overcoming—in April 1936 in Chicago—an initial reluctance to appear with Wilson, making them the first interracial band to perform in public. That same year, vibraphonist Lionel Hampton joins up, making it a quartet. Ransome’s watercolors utilize a palette rich in twilight-blue, indigo and yellow, punctuated with sienna, red and green. In lively double-page spreads, he captures the band’s dedication to practicing and recording together, as well as the verve and excitement of their live shows. Two pages of background notes include more about the musicians, a timeline of jazz events and a brief “Who’s Who” of some of jazz’s giants.
A solid exploration of a resonant musical partnership at a historically significant moment in American music. (Informational picture book. 6-9)Pub Date: April 1, 2014
ISBN: 978-0-8234-2362-0
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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by Lesa Cline-Ransome ; illustrated by James E. Ransome
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by Lesa Cline-Ransome ; illustrated by James E. Ransome
by Karen English ; illustrated by Laura Freeman ‧ RELEASE DATE: Dec. 17, 2013
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Karen English ; illustrated by Laura Freeman
by Karen English ; illustrated by Lauren Freeman
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by Karen English ; illustrated by Annalise Barber-Opp
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by Karen English ; illustrated by Ebony Glenn
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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