A heartfelt, lovely evocation of one facet of the immigrant experience.

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GITTEL'S JOURNEY

AN ELLIS ISLAND STORY

In the last years of the 19th century, 9-year-old Gittel must make the long journey to America alone.

She and Mama say their goodbyes to their family and set off on the trek to the port where they will board the ship to a new world. But Mama is denied passage because of an eye infection. Her mother reminds her that she must be brave, so Gittel gets on the ship alone for the long, frightening journey, clutching the family candlesticks, her rag doll, and that most important slip of paper containing cousin Mendel’s address in New York. Upon arriving at Ellis Island, Mendel’s address is smeared and unreadable, so she is detained there. A kind Yiddish interpreter and a newspaper photographer save the day by placing her photo in a Jewish newspaper, and Mendel comes to claim her. Even greater joy comes when she is reunited with her mother several months later. The tale is based on a combination of stories handed down in the author’s family. Newman tells Gittel’s story with sympathy and tenderness, incorporating Jewish phrases (italicized) and customs and placing within it facts about that time and place. Gittel’s every emotion is felt in Bates’ soft, earth-toned, framed illustrations reminiscent of old-time sepia photographs. Block-print decorations in blue, green, and rust enhance the setting.

A heartfelt, lovely evocation of one facet of the immigrant experience. (glossary, bibliography, websites) (Picture book. 5-9)

Pub Date: Feb. 5, 2019

ISBN: 978-1-4197-2747-4

Page Count: 48

Publisher: Abrams

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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