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A SWEET PASSOVER

Deliciously traditional.

A week of eating matzah has one little girl ready to swear off the bland, unleavened cracker for good, until a sweet, time-honored staple slowly changes her mind.

Miriam observes Passover with parents, grandparents, aunt and uncle each consecutive day with different foods added to her matzah. She happily eats her unleavened bread with butter, jelly, tuna salad, egg salad, cream cheese, cottage cheese, almond and apple butter and jam. But after eating plain matzah, egg matzah, whole-wheat matzah and chocolate-covered matzah, Miriam awakens on the eighth day of the holiday completely “sick, sick, sick of matzah” and refuses to eat another bite. Perplexed and amused, Grandpa entices Miriam with the prospect of a breakfast of Passover French toast, otherwise known as matzah brei, a pancake-type creation from pieces of matzah soaked in egg and milk, pan-fried in butter and topped with sugar, cinnamon or maple syrup. Large amiable cartoon characters drawn in acrylic and charcoal portray a loving and cheerful family. They recount the Passover saga through Newman’s dialogue-driven text, into which she subtly weaves some interpretive messages for today. “Matzah goes with everything,” says Grandpa. “And that reminds us that we should get along with everyone, too.” Convinced Miriam completes the holiday with the sweetened meal she cooked with her culinary savvy Grandpa.

Deliciously traditional. (recipe, author’s note) (Picture book/religion. 5-7)

Pub Date: March 1, 2012

ISBN: 978-0-8109-9737-0

Page Count: 40

Publisher: Abrams

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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