WELCOMING ELIJAH

A PASSOVER TALE WITH A TAIL

While not the traditional holiday outcome, it should please celebrants and cat lovers all.

Passover nights are different, happily so for a boy and a kitten.

It’s a Seder night, and a boy and his large family welcome guests to the festive holiday celebration. There are many rituals in the evening, including filling a cup of wine for the prophet Elisha, but his favorite is opening the door to welcome Elijah in. Writing in contrasting couplets, Newman relates the many elements of the holiday as “inside” activities. There are also “outside” goings-on. A fluffy white cat in the yard does feline things that seem to mimic what the family and their guests are doing except in one respect. The family enjoys plenty of good food while the kitten “swishe[s] his skinny tail.” Finally it is time to hold open the door, and who should be standing there but that irresistibly appealing fluffy white kitten. Boy and kitten, to be named Elijah of course, embrace as the others look on in joy. Gal’s softly smudged illustrations, rendered in ink, charcoal, and digital collage, warmly reflect the text’s contrasts, with bright yellows illuminating the household and iridescent blues bathing the outdoor scenes. The family and friends are racially diverse, with both black- and white-presenting group members. The boy himself presents white; the men wear kippot.

While not the traditional holiday outcome, it should please celebrants and cat lovers all. (author’s note, list of Seder rituals) (Picture book. 4-7)

Pub Date: Jan. 28, 2020

ISBN: 978-1-58089-882-9

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Feb. 1, 2020

LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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