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AGNOSTIC

A SPIRITED MANIFESTO

Atheists and devout worshipers alike may never accept the agnostics’ philosophy. But even in defense of simply not knowing,...

A seasoned reporter on religion and an old hand on the Middle East beat, Hazleton (The First Muslim: The Story of Muhammad, 2013, etc.) is Jewish by blood and convent-educated by nuns. After more than a decade in Jerusalem, she finds that accepted pious practice is not for her.

For the author, doubt is not a problem but a blessing. She does not seek assurance of an all-encompassing intelligent design but, rather, revels in the prospects that just might yet be discovered by mankind. For this agnostic, there is delight in mystery. Her faith is in not knowing everything. Humanity, certainly, is subject to misadventure, yet it is for humans to determine what is truly significant. Meaning, in her book, is not the responsibility of a force beyond us; how we behave is our choice and our obligation. The old aphorism is clear to Hazleton: man created God, not the other way around, and she sees Him (who is consistently male) as an anthropomorphic metaphor for something bigger. “If there is one thing that can really be said with any certainty about God,” she writes, “it is that the name is utterly insufficient to the concept.” Throughout the book, the author dissects the manifestations of religious devotion. Religious belief is seen as binary, a true-or-false proposition. Where, she asks, is the nuance? Is our universe unique or only one in a greater cosmos? How can we comprehend what is beyond infinity? The agnostic mind finds no satisfactory answers in canonical tracts or fundamentalist piety. There’s no need to reckon with evil, infidels, or visiting angels. Here, with clever elucidation, are artful essays that celebrate the wonder of the unknown.

Atheists and devout worshipers alike may never accept the agnostics’ philosophy. But even in defense of simply not knowing, Hazleton does not deny possibilities; she denies only assured and implacable dogma.

Pub Date: April 5, 2015

ISBN: 978-1-59463-413-0

Page Count: 224

Publisher: Riverhead

Review Posted Online: Jan. 17, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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