A levelheaded, elegant look at the life of the prophet amid the making of a legend.

THE FIRST MUSLIM

THE STORY OF MUHAMMAD

A longtime reporter on the Middle East, Hazleton (After the Prophet: The Epic Story of the Shia-Sunni Split in Islam, 2009, etc.) carefully delineates the great events in the life of the “first Muslim,” who, like the Christian prophet Jesus, was chosen as the “translator” of God’s message to mankind.

The author sifts through and synthesizes many differing and conflicting sources for a gently reverential and ultimately winning study of a humble soul in search of his identity. Hazleton effectively fleshes out the iconic events of the messenger’s life. Left fatherless as a baby, shunted to a wet nurse who cared for him and brought him up in the Bedouin ways, Muhammad grew into a capable, hardworking caravan agent for his uncle in Mecca before making an advantageous match with a wealthy widow 16 years his elder, Khadija, who would prove a steady companion and his first convert. Muhammad first made a name for himself as the arbitrator in the collective repair of the damaged sacred sanctuary of Kaaba; his altered state atop Mount Hira at age 40 was an experience of “poetic faith,” Hazleton explains, resulting in beautiful verses flowing from his lips. He spoke urgently of social justice and reform, and he spoke in Arabic. Exiled from Mecca by the ruling elite, he again proved a natural, masterly negotiator among tribes in Medina, appealing to a higher authority to solve their disputes and drawing up a binding contract of monotheism. Hazleton explains that he resorted to violence only after a passive resistance got him nowhere—the troublesome precedent of jihad. The author writes poignantly of the evolution of the public messenger from the private man.

A levelheaded, elegant look at the life of the prophet amid the making of a legend.

Pub Date: Jan. 24, 2013

ISBN: 978-1-59448-728-6

Page Count: 336

Publisher: Riverhead

Review Posted Online: Nov. 1, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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