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BENDING TOWARD THE SUN

A MOTHER AND DAUGHTER MEMOIR

A flawed memoir, but an amazing story of wartime survival.

Los Angeles County Board of Education president Gilbert-Lurie teams with her mother in this occasionally unwieldy yet affecting memoir depicting how the deep psychological wounds from the Holocaust span three generations.

The first and most vivid section is told in the voice of Rita Lurie, née Ruchel Gamss, born in Urzejowice, Poland, to a family of Jews caught in the terrors of the Nazi invasion during World War II. By 1942 the Germans had occupied their remote town, and five-year-old Rita and her family were required to report to the train station for deportation. They split into groups to elude capture and persuaded a neighboring Polish farmer to harbor the group in their attic. Everyone believed the refuge was temporary, though they managed to hide out for two years—but not without casualties. Rita’s toddler brother died, possibly from suffocation to keep him from crying, and Rita’s mother died shortly thereafter. After liberation, they spent five years in displaced-persons camps, during which Rita’s father remarried an Auschwitz survivor. The remaining Gamss family immigrated to America in 1949. Rita suffered from physical weakness and mental anguish for years, and her subsequent account records her painful attempts to come to terms with debilitating feelings of abandonment and anger at her controlling stepmother. In the second section of the book, her eldest daughter recalls growing up with her anxious mother and her own fears and the drive to succeed. Gilbert-Lurie’s narrative is unavoidably less dramatic, except when she and her cousins returned to Poland in 1987 with a film crew to seek out the still-living Polish farmwife who hid the Jews. The third section, which introduces the author’s daughter into the narrative, is more tedious, but the essential story remains riveting.

A flawed memoir, but an amazing story of wartime survival.

Pub Date: Sept. 1, 2009

ISBN: 978-0-06-173476-2

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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