HALLOWEEN PARTY MURDER

Readers may never look at Halloween parties the same way.

There are parties and then there are parties, as this trio of treats by Maine authors proves.

There’s nothing small towns love more than Halloween. In “Halloween Party Murder,” Tinker’s Cove hosts a haunted house. It’s Meier’s way of giving her series heroine, Lucy Stone, a chance to apologize to her neighbors Ty and Heather Moon for suspecting them of kidnapping her grandson. Lucy recruits the members of her Hat and Mitten Fund to populate the terrifying tableaux Ty creates in each room of his home. It’s all scary fun until the person playing drowned Ophelia fails to emerge from her bath. Hollis’ Bar Harbor offers locals a chance to go upscale, dressing up as their favorite spooks in “Death of a Halloween Party Monster.” The partygoers at the restaurant bash laugh uproariously at police chief Sergio Alvares’ fear of Pennywise until music teacher Boris Candy, who came dressed as Stephen King’s terrifying clown, turns up dead in the restaurant’s freezer, leaving chef Hayley Powell to discover his killer. Ross’ party in “Scared Off” is nothing like the other two official municipal events. Julia, whose family runs the Snowden Family Clambake in tiny Busman’s Harbor, gets a frantic call from her 13-year-old niece, Page. Page’s parents have allowed her to sleep over at Talia Davies’ house with fellow middle schooler Vanessa. The three girls invite three other friends, and the six quickly turn into 60. When high school boys with beer kegs start showing up, Page knows she has to bail but worries because no one can find the Davies’ upstairs tenant, who agreed to watch the three girls for the night. When Mrs. Zelisko finally does turn up, it’s not good.

Readers may never look at Halloween parties the same way.

Pub Date: Aug. 31, 2021

ISBN: 978-1-4967-3382-5

Page Count: 320

Publisher: Kensington

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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