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THE DOG WALKER

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina...

Awkward foray into romantic comedy depicting a dog walker on New York’s Upper West Side falling in love with one of her (human) clients based on the contents of his apartment.

Nina, an erstwhile copywriter at Random House who burned out on the nasty antics of the publishing world, takes over her friend Claire’s dog-walking business when the aspiring actress gets a part in a TV show. First-timer Schnur, the former editor-in-chief of Dell Publishing and Delacorte Press, provides plenty of cute scenes showing Nina walking her charges en masse and displaying her moral superiority over the pooches’ actual owners, whose apartments she checks out (despite her moral superiority) while picking up the pets. One of Nina’s favorite dogs, Siddhartha, belongs to a lawyer named Daniel. Without meeting him, Nina develops a crush on Daniel based on what she learns from snooping in his apartment. Of course, readers know right off from the description of the apartment that Daniel is actually a shallow yuppie, not worthy of our witty, pretty, and artistically gifted heroine. They might well wonder why Nina doesn’t pick up on this, but that’s okay because the “Daniel” she eventually meets is his identical twin Billy, an IRS agent using the apartment to stake out a suspect: a charming, mysteriously wealthy older woman who happens to be another of Nina’s clients. Billy/Daniel and Nina have immediate chemistry, for no better reason than he’s the sensitive romantic lead Schnur wants us to believe Nina deserves. Although the road to happiness can be rocky when one lover is not whom he claims and the other is a snoop, don’t be surprised when Nina, Billy, and all the supporting characters (except chauvinist pig Daniel) reap love and success.

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina and Manhattan.

Pub Date: July 27, 2004

ISBN: 0-7434-8207-7

Page Count: 320

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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