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THE DOG WALKER

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina...

Awkward foray into romantic comedy depicting a dog walker on New York’s Upper West Side falling in love with one of her (human) clients based on the contents of his apartment.

Nina, an erstwhile copywriter at Random House who burned out on the nasty antics of the publishing world, takes over her friend Claire’s dog-walking business when the aspiring actress gets a part in a TV show. First-timer Schnur, the former editor-in-chief of Dell Publishing and Delacorte Press, provides plenty of cute scenes showing Nina walking her charges en masse and displaying her moral superiority over the pooches’ actual owners, whose apartments she checks out (despite her moral superiority) while picking up the pets. One of Nina’s favorite dogs, Siddhartha, belongs to a lawyer named Daniel. Without meeting him, Nina develops a crush on Daniel based on what she learns from snooping in his apartment. Of course, readers know right off from the description of the apartment that Daniel is actually a shallow yuppie, not worthy of our witty, pretty, and artistically gifted heroine. They might well wonder why Nina doesn’t pick up on this, but that’s okay because the “Daniel” she eventually meets is his identical twin Billy, an IRS agent using the apartment to stake out a suspect: a charming, mysteriously wealthy older woman who happens to be another of Nina’s clients. Billy/Daniel and Nina have immediate chemistry, for no better reason than he’s the sensitive romantic lead Schnur wants us to believe Nina deserves. Although the road to happiness can be rocky when one lover is not whom he claims and the other is a snoop, don’t be surprised when Nina, Billy, and all the supporting characters (except chauvinist pig Daniel) reap love and success.

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina and Manhattan.

Pub Date: July 27, 2004

ISBN: 0-7434-8207-7

Page Count: 320

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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