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THE DOG WALKER

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina...

Awkward foray into romantic comedy depicting a dog walker on New York’s Upper West Side falling in love with one of her (human) clients based on the contents of his apartment.

Nina, an erstwhile copywriter at Random House who burned out on the nasty antics of the publishing world, takes over her friend Claire’s dog-walking business when the aspiring actress gets a part in a TV show. First-timer Schnur, the former editor-in-chief of Dell Publishing and Delacorte Press, provides plenty of cute scenes showing Nina walking her charges en masse and displaying her moral superiority over the pooches’ actual owners, whose apartments she checks out (despite her moral superiority) while picking up the pets. One of Nina’s favorite dogs, Siddhartha, belongs to a lawyer named Daniel. Without meeting him, Nina develops a crush on Daniel based on what she learns from snooping in his apartment. Of course, readers know right off from the description of the apartment that Daniel is actually a shallow yuppie, not worthy of our witty, pretty, and artistically gifted heroine. They might well wonder why Nina doesn’t pick up on this, but that’s okay because the “Daniel” she eventually meets is his identical twin Billy, an IRS agent using the apartment to stake out a suspect: a charming, mysteriously wealthy older woman who happens to be another of Nina’s clients. Billy/Daniel and Nina have immediate chemistry, for no better reason than he’s the sensitive romantic lead Schnur wants us to believe Nina deserves. Although the road to happiness can be rocky when one lover is not whom he claims and the other is a snoop, don’t be surprised when Nina, Billy, and all the supporting characters (except chauvinist pig Daniel) reap love and success.

Schnur’s attempts at humor, alas, are gratingly obvious and annoyingly self-congratulatory, especially when praising Nina and Manhattan.

Pub Date: July 27, 2004

ISBN: 0-7434-8207-7

Page Count: 320

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE ISLAND

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...

Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.

The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.

Pub Date: July 6, 2010

ISBN: 978-0-316-04387-8

Page Count: 416

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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