JUMPING THE GREEN

An extraordinarily impressive newcomer surveys the emotional riptide of obsession and its release in art. To casual observation, Louise Goldblum seems to have the world by the tail: At only 30 she’s a rising star, exhibiting her sculptures to acclaim and preparing for San Francisco museum installation. The exterior success, though, barely conceals her personal anguish and the rapid spiral her life takes after the murder of her sister Esther. A seesaw between past and present, much of the narrative deals with the unconventional early lives of the Goldblum clan: parents Maggie and Harold awash in a haze of smoke, pills, and booze as compensation for disillusionment, and their five brilliant children left to raise themselves in the sex and drug banality of California suburbia. It is oldest sister Esther—wild, beautiful, and willful—around whom the family orbits. When her naked body is discovered in a motel room, mild-mannered Louise launches a journey into memory and self-annihilation in a misguided effort to reclaim the romantically dangerous spirit of her sister. When she meets Zeke in a bar, she intuits her destruction. He takes her home, ties her up, and photographs her battered body after sex. The two embark on a sadomasochistic relationship that becomes increasingly ruthless and distracts Louise from the loss of the person she loved most in the world. Slowly she rebuilds her past in the museum’s installation, re-creating a childhood trip, though the results are hardly cathartic as she fashions a macabre tableau including a sculpture of Esther, dead animals, and pornographic photos. Rarely sober, often bruised from her brutal encounters with Zeke, Louise finds herself at the precipice as she makes one last attempt to relive her sister—and has the fierce realization that Esther belonged to no one. An intriguingly subtle treatise on sex and death and the shadow companion of love. First-timer Schwartz is a talent to watch.

Pub Date: Oct. 1, 1999

ISBN: 0-684-85589-5

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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