An absorbing, emotionally raw memoir.
An intimate chronicle of the cruel and dehumanizing experience of incarceration.
At the age of 53, Schwartz (Angels Crest, 2004, etc.), a fiction writer, essayist, and writing teacher, began a 90-day sentence at a Los Angeles county jail for DUI. By the time she began her term, she had been sober for six months, following a devastating 414-day relapse of drinking and drugs. In “a chronic state of blackout,” her writing career tanked; her husband, teenage daughter, and most of her friends left her; twice, she nearly died from an overdose. Arrested four times, mostly for DUI, she crashed two cars and lost her license and most of her money. Ashamed and grateful that she never killed anyone when driving drunk, she was overcome with anger and self-pity despite realizing the pain that her alcoholism had inflicted on those closest to her. “Sometimes I would look at you when you were drunk and wish you were dead,” her daughter told her. For Schwartz, incarceration was both “soul crushing” and ultimately liberating. Jail was a leveler, where everyone—prostitutes, addicts, murderers, and women too poor to pay parking tickets—was reduced to a barcoded wristband. In jail, she reflects, “it was impossible to stereotype. Everything I thought I knew about what and who people supposedly were was forever stripped from me.” She forged close, empathetic friendships with her cellmates: obese Duckie, who took Schwartz under her wing; “tough, wise Wynell,” a prostitute who revealed a life story of poverty, violence, and fear. The author witnessed “the depravity of power” that pervades the criminal justice system. Besides her relationships with her fellow prisoners, she found solace in 22 books—fiction, poetry, and the Big Book of Alcoholics Anonymous—that she read hungrily. From Ruth Ozeki’s A Tale for the Time Being, she learned that “change is only possible through self-forgiveness,” and “sanity meant I had to stop blaming everyone for the fury of my addiction.”
An absorbing, emotionally raw memoir.Pub Date: July 10, 2018
ISBN: 978-0-525-53463-1
Page Count: 272
Publisher: Blue Rider Press
Review Posted Online: April 10, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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