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THE CURING SEASON

A portrait of victimhood, almost a glorification, in which the victim is so self-pitying and self-justifying that she loses...

Wells’s debut is the first-person account of a young woman during the Truman era who passively bears physical deformity, poverty, and spousal abuse of increasing violence until ideals and maternal instinct force her into rebellion.

Born with a club foot on a Virginia sharecropper’s farm, Cora Mae Slaughter reaches adolescence feeling like an outcast. Cora describes her father as a drunk who beats his wife and children, her mother as a shell of a woman weakened by childbirth who lives by the Bible. Only Cora’s beautiful sister Sibby, who protects Cora from the mean-spirited teasing of their schoolmates, is described with any affection. As she is quick to point out, Cora is smarter than her peers, but she pines for the kind of romance other girls her age are experiencing. As a result, when an itinerant worker named Aaron flirts with her during tobacco-curing season, she assumes they are in love. After Aaron rapes her, she inexplicably chooses to stay the night with him. Too ashamed then to return home, she wanders the countryside with him as he loses job after job to drink. He also begins to beat Cora. The birth of a child, Joshua, brightens her life, but Aaron’s viciousness increases. Eventually he puts wax in her ears to deafen her and forbids her to speak. She accepts even this new cruelty, believing she thus protects Joshua. Cora’s only friend is Nita, a black woman she meets at the creek where she and Joshua bathe. Finally, upon discovering that Aaron plans to wax up Joshua’s ears too and that he and his friends plan to set fire to the black community where Nita lives, Cora springs into action. Her revenge will be violent and complete.

A portrait of victimhood, almost a glorification, in which the victim is so self-pitying and self-justifying that she loses sympathy, and interest, early on.

Pub Date: May 3, 2001

ISBN: 0-446-52693-2

Page Count: 250

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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