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THE KING OF BEES

Visually lovely and tonally appealing, this book will be best used when additional information is available to help with...

Henry learns a lesson in responsibility and nature in this quiet tale of love and honeybees.

Henry lives with his aunt Lilla in the South Carolina Lowcountry. Lilla’s home is a small farm, and the two rely on honey from their beehives and eggs for their henhouse for added income. Henry is fascinated by the honeybees, and he accompanies his aunt whenever possible to watch her work the hives. As Lilla works, she explains the behavior and habits of the bees to Henry, but he’s still too young to help. On his own one day during swarm season, Henry puts on her beekeeping suit so he can visit the hives and help the bees discover the swarm box that Lilla has set up. While putting on Lilla’s beekeeping suit, Henry spills a bottle of “bee drops” (a mysterious liquid that has a pleasing smell to honeybees) on the suit. The bee drops attract the swarm to the much-too-large suit, and Lilla is able to capture it. It’s in this resolution that the story stumbles, as, for all of Lilla’s explanations of beekeeping, the bee drops go undefined. The sentimental author’s note does not fill in that gap. LaMarche’s artwork, a vibrant combination of watercolor and ink, glows and will make many readers want to visit Aunt Lilla’s home.

Visually lovely and tonally appealing, this book will be best used when additional information is available to help with questions. (Picture book. 6-8)

Pub Date: April 1, 2018

ISBN: 978-1-56145-953-7

Page Count: 32

Publisher: Peachtree

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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WHAT THE ROAD SAID

Inspiration, shrink wrapped.

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 7, 2021

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