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LOVES AND ENTANGLEMENTS

STORIES

An impressively thoughtful and compelling collection of tales.

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A volume of short stories explores the hidden but explosive nuances of romantic longing.

In this assemblage of more than a dozen tales, Bogaty limns the fraught eccentricities that plague relationships between men and women with a perspicacious eye. In the first story, “Obsessed,” a married couple, Carol and Gary, meet a friend named Kempton for dinner. Kempton lives a soap-operatic personal life, one in which he is perpetually “at war with his corporate existence,” clinging fecklessly to his youth. But as messy and infantile as his romantic travails are, Carol can’t help but wonder if Gary is jealous of the adventurous uncertainty of these escapades. In “Hot and Sour,” Veronica, a 22-year-old woman, falls in love with Josh, a married man twice her age. After hearing Josh lie to his wife with an alarming expertise, she frets that her relationship with him is fated to devolve into a humiliating cliche. The stories focus on the foibles of attraction and the daunting distance that exists between erotic longing and a healthy, sustainable union, a theme intelligently expressed by the author. The pieces often have a literary element to them—protagonists are sometimes students of English literature, and the stories include lots of references to works such as John Milton’s Areopagitica and Jane Austen’s Mansfield Park. While the stories include some allusions to their political backdrops—e.g., mentions of President Richard Nixon and the Iraq War—they remain only asides. Bogaty concentrates on the hyper-personal, which seems, in his vivid cosmos, largely sequestered from the political arena, though in one story, “Namby-Pamby,” political differences likely contribute to a couple’s romantic failure.

One charming aspect of the tales is the way in which they are dated—the author began publishing them in the 1980s. In “Obsessed,” Carol is purposefully set on getting the most out of her therapy sessions, given that they cost a whopping $75 each. But the author makes some missteps—“Obsessed” concludes with a commentary by Carol that gives the story a didactic tincture, one that only serves to undermine the tale’s power by commandeering readers’ interpretive territory. It doesn’t help that the conclusion—that the apparent movement of life toward a climactic peak is often an illusion, the “false hints of shape flattening into time gone by formlessly”—is somewhat trite. And in “Namby-Pamby,” Steven melodramatically explains to Brandy, a former flame, why he could never make their relationship work, a characteristic flaw of Bogaty’s writing: “Did you ever stop and ponder a jar of vinegar and oil?…No, I’m serious. You can stir it and shake it and it turns into a lovely mix, for a moment. But that’s it. You have to keep stirring and shaking forever to get the moments.” This image strikes a false note, one that feels not just maudlin, but also literarily contrived. Still, despite these occasional indulgences, the volume deftly displays an admirable sensitivity to the human frailty that always accompanies love.

An impressively thoughtful and compelling collection of tales.

Pub Date: Feb. 14, 2024

ISBN: 9798988405412

Page Count: 207

Publisher: One Marble Desk Publishing

Review Posted Online: Jan. 9, 2024

Kirkus Reviews Issue: March 1, 2024

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JUST FOR THE SUMMER

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Two people with bad luck in relationships find each other through a popular Reddit thread.

Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Pub Date: April 2, 2024

ISBN: 9781538704431

Page Count: 432

Publisher: Forever

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 15, 2024

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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