A thrilling story of teenage survival and camaraderie.
An emotionally troubled 18-year-old contends with an island boot camp in Robinson’s novel.
Whaleback Island, off the coast of Maine, is a summer retreat for wealthy members of the Club—business executives and bluebloods from New York and Boston whose connections to the island go back, in some cases, for generations. It’s also home to the Whaleback Island Leadership Detail (WILD), a program sponsored by the Club in which wayward youth are reformed into upstanding citizens by a team of exacting ex-military instructors. Walt McNamara was a hockey star at his prep school in New Hampshire before he quit the team in the midst of a playoff game and then shattered four of the school’s trophy cases with a chair. At WILD, he’s been assigned to the “huddle” led by Dick Grunewald, a grizzled, humorless man missing several fingers. His huddle includes Tess, a motel worker from Maryland, and the tall, silent, mysterious Aubrey. Each huddle works as a team to support each other during the rigorous—and somewhat martial—physical training they undergo with the vague promise of Club employment at the other end. As Walt and his new friends struggle to stay sane in the face of the brutal regimen, they begin to question the true purpose of WILD—and the agenda of the Club behind it. Robinson captures the angst and excitement of teenage spaces, even unlikely ones, as here when Walt’s huddle must all sleep spooned together on an exposed smaller island: “To feel the movement of her breath against my chest, to feel even the slightest contact of my legs against her, to smell her dirty hair, which had probably not been grimy like this before and still smelled good, I felt like a space explorer zooming through the cosmos.” The twists toward the story’s end are not quite believable, but the author constructs a rich world of substantial characters caught in the muddled aspirations of young adulthood.
A thrilling story of teenage survival and camaraderie.Pub Date: Oct. 1, 2024
ISBN: 9781952143922
Page Count: 320
Publisher: Islandport Press
Review Posted Online: Oct. 22, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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