A feminist tale for all good men and women who fancy they sleep well at night.
A sweet little allegory with an afterbite as a sad, lonely housewife reaches adventure and despair on her flying scooter: the first US appearance for Belgium-born writer and translator Nirgad.
Layla, one of five daughters whose names start with L, lives a straitened suburban life in a cold, tight house with her own three perfect daughters and a silent, cold husband when she discovers that the rusty scooter out back can fly. First, she asks it to fly her to Alaska but is put off when the resident talking mink tells her there’s nothing but whiteness to be seen. Her sisters are well-intentioned but suspicious: Liora, the oldest, who bottles elixirs to keep her family nice and small; Lenora, the loose, unmarried one with a frigid, unfeeling heart; Lihi, the youngest, who “hadn’t learned any tricks yet”; and the sad dead sister, Luna, who was torn apart by the Winds at age 12 after the fatal pact made by their mother. Luna can come back occasionally because the sisters have promised the Winds never to love a man while he lies asleep—a promise Layla will break when she meets her Prince, for, once she gets going, there’s no stopping Layla. She flies to Prague and discovers her voice, which was always too timid to be heard. She stays out later than she should, and her husband begins to fume and offers her an ultimatum: either stay or lose her daughters. Will this seemingly innocuous little fairy tale end happily or tragically? Nirgad relies on a breezy, ironical tone, never letting the reader quite know whose side she’s on but just taking delight in telling the story. Her chatty, knowing approach is winning, leaving much to ponder in this modern-day morality tale that fathoms depths of the heart as profoundly as might Madame Bovary.
A feminist tale for all good men and women who fancy they sleep well at night.Pub Date: Nov. 15, 2002
ISBN: 1-58567-313-7
Page Count: 192
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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