While Callanan writes about the difficulties of family relationships and the creative process with a knowing hand, the...
A pointedly literary romance—fueled by two children’s classics—about a Wisconsin woman who moves to Paris with her two daughters after her husband’s disappearance.
From the beginning of their relationship, Robert and Leah shared their separate dreams of Paris. Robert, an author of young adult fiction, has always identified with the Madeline books by Ludwig Bemelmans; former film student Leah, who’s become the family breadwinner as an academic speechwriter, is drawn to the Albert Lamorisse film The Red Balloon. When Robert, struggling with his writing and mental health, disappears without a trace, Leah and her daughters, Ellie and Daphne, then 14 and 12, don't want to believe he's dead but also don’t want to believe he purposely left them. Then Leah finds that Robert has bought them tickets to Paris. Soon she's running a quaint bookstore in the Marais, sending the girls to an excellent French public school, eating wonderful French food, and having various romantic adventures. She is also remembering and analyzing her life with Robert, who remains an unsatisfying enigma to the reader as well as to narrator Leah. Nevertheless, Callanan (Listen, 2015) uses every magnet in his arsenal to draw readers of a certain sensitive literary persuasion: the Parisian bookstore, of course; romance between a 40-something woman and an erudite younger man (who is African-American, for good measure); a helpful, impeccably dressed gay male friend; precocious teenagers who love to read; obvious plot parallels to the children’s classics; and the mystery surrounding a manuscript from the still-missing Robert that follows the storyline of his family in Paris too closely for Leah’s comfort. Is Robert in Paris too? Is he hiding from his family or searching for them? Does Leah want him back, or is she relieved to escape the burden of his unhappiness?
While Callanan writes about the difficulties of family relationships and the creative process with a knowing hand, the magical Paris he creates feels forced and threadbare.Pub Date: April 3, 2018
ISBN: 978-1-101-98627-1
Page Count: 368
Publisher: Dutton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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