A fascinating construct that asks whether men go wrong in the heart or in the head.
by Liam Durcan ‧ RELEASE DATE: Nov. 15, 2007
A judgment on the world stage tests the ethical resolve of a scientist troubled by the crimes of war.
Canadian neurologist and award-winning writer Durcan (A Short Journey By Car, 2004) plumbs his stock in trade to inform this audacious literary debut, its purpose no less than finding a window to the soul. When Boston-based neurologist Patrick Lazerenko arrives inauspiciously at the Hague on a miserable November day, even his cab driver knows who he’s here to see. The city is gripped by the trial of Hernan García de la Cruz, a Honduran physician whose alleged complicity in CIA-backed torture earned him the sobriquet, “The Angel of Lapaterique.” The good doctor refuses to speak in the courtroom but Lazerenko’s memories portray a once-decent man corrupted by the kismet of politics. In fact, García was once a father figure to Patrick, whose rough, ill-disciplined childhood was turned around by the doctor’s care and attention. Far from his humble roots, Lazerenko has built a successful company, Neuronaut, that uses magnetic imaging to assess what Patrick acidly describes as, “moral reasoning,” meaning his methods may be able to predict consumer behavior, the effects of different stimuli or possibly even a predilection toward harmful acts. Through the course of the trial, Lazerenko copes with his own pressures, including a hard-nosed and accusatory investigative reporter from Baltimore, a tenuous romantic reunion with García’s daughter Celia and García’s defense attorney, who wants him to use his peculiar scientific skills to clear his friend’s name. With his company in a tailspin, Lazerenko struggles to understand García’s actions and reconcile his own disquieting sense of dread. “How do you dislike parts of a man?” he muses. The author’s expertise may lie firmly in the field of science, but his shrewd, intricate debut reveals a multitalented artist.
A fascinating construct that asks whether men go wrong in the heart or in the head.Pub Date: Nov. 15, 2007
ISBN: 978-0-312-36708-4
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2007
Categories: LITERARY FICTION
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by Liam Durcan
by Pat Conroy ‧ RELEASE DATE: Oct. 21, 1986
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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by Pat Conroy
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by Pat Conroy
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SEEN & HEARD
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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