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THE MEASURE OF DARKNESS

A deft exploration of the heart and mind that offers the pathos of a Sam Shepard play nested within the unreliable...

An architect who's been injured in a car accident must piece together the roots of his despair.

Canadian neurologist Durcan (Garcia’s Heart, 2009, etc.) continues his explorations of the human mind with this spare, ethereal novel about a man who loses his ability to perceive the world as it is. In it we meet Martin, a much-admired middle-aged architect who's just emerged from a coma following the accident. His older brother, Brendan, a retired veterinarian, has chosen to set aside long-held family resentments to come care for his sibling. The author has given his protagonist a jarring condition called “neglect syndrome,” which leaves the victim unable to perceive space or stimuli on half of his body yet also unaware that his perceptions are compromised. For a man who builds in three dimensions, this is a crippling blow. We also learn that Martin has been bought out of his own firm, but he can't remember how or why. In icy prose that belies its emotional weight, Durcan turns Martin’s grief into a mystery. Why was the architect parked on a snowy Quebec roadside when he was struck by a speeding snowplow? Why was there a brand-new roll of duct tape and a garden hose in his trunk? Durcan also gives Martin an obsession with real-life Russian architect Konstantin Melnikov, best known for his refusal to conform to Stalinist architectural mandates. The book's language is poetic, but it's underscored by the story’s spooky mood and emotional authenticity. “Had he been in the midst of ending his life or refusing to do so?” Durcan writes. “For Brendan, understanding what had actually happened to his brother was reduced to a dilemma—binary, existential and unknowable now that the only person who truly knew had had his intention scraped clean by the blade of a snow plow.”

A deft exploration of the heart and mind that offers the pathos of a Sam Shepard play nested within the unreliable storytelling of Christopher Nolan’s Memento.

Pub Date: March 15, 2016

ISBN: 978-1-942658-04-7

Page Count: 256

Publisher: Bellevue Literary Press

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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