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DIDION AND BABITZ

A cheeky, gossipy dual biography.

A study of two writers uncomfortably entwined.

After Eve Babitz (1943-2021) died, her biographer Anolik came upon a letter from Babitz to Joan Didion (1934-2021) that startled her. Filled with “rage, despair, impatience, contempt,” it read like a “lovers’ quarrel.” “Eve was talking to Joan the way you talk to someone who’s burrowed deep under your skin, whose skin you’re trying to burrow deep under.” That surprise discovery suggested a “complicated alliance” between the two. In sometimes breathless prose, with sly asides to the “Reader,” Anolik draws on more than 100 interviews with Babitz and many other sources to follow both women’s lives, tumultuous loves, and aspirations before and after they met in Los Angeles in 1967, sometimes straining to prove their significance to one another. “Joan and Eve weren’t each other’s opposite selves so much as each other’s shadow selves,” she asserts. “Eve was what Joan both feared becoming and longed to become: an inspired amateur.” At the same time, “Joan was what Eve feared becoming and desired to become: a fierce professional.” Didion had just won acclaim for Slouching Towards Bethlehem when Babitz, newly arrived from New York, began socializing with her and her husband, John Gregory Dunne. The reticent Didion and the sensual, energetic Babitz could not have been more different, and Anolik clearly prefers Babitz. “I’m crazy for Eve,” she admits, “love her with a fan’s unreasoning abandon. Besides, Joan is somebody I naturally root against: I respect her work rather than like it; find her persona—part princess, part wet blanket—tough going.” Their relationship—hardly a friendship—fell apart in 1974 when Didion and Dunne were assigned to edit Babitz’s autobiographical novel, Eve’s Hollywood. Babitz, resentful of Didion’s attitude and intrusion, “fired” her, pursuing her writing career on her own. Didion soared to literary fame; not, alas, Babitz.

A cheeky, gossipy dual biography.

Pub Date: Nov. 12, 2024

ISBN: 9781668065488

Page Count: 352

Publisher: Scribner

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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