From bestselling Hong Kong writer Lee (The Last Princess of Manchuria, 1992): a breathless and broad-brushed tale of love among the stars of the Peking opera, the movie version of which won top prize at Cannes and is scheduled for simultaneous release. Sold by his prostitute mother to a director of a school that trains young boys to be singers in the Peking opera, timid Xiao Douzi is soon befriended by older and braver Xiao Shitou. Life at the training school is rigorous if not harsh, but Douzi, who shows much promise, is protected for the most part by Shitou, who's strong enough to split a brick in two with his forehead. The boys grow, give performances, and, as their abilities are recognized, eventually become the stars of a leading company. Their favorite opera is Farewell to My Concubine, in which the manly Shitou sings the role of a defeated general, and Douzi, who's perfected all the necessary gestures, plays the role of his beloved and loyal concubine. Immersed in their art, the two young men are only gradually aware of what's happening in China itself. The Japanese invade, occupy; civil war breaks out; and then Mao takes over. Meanwhile, Shitou marries a former prostitute, much to the despair of Douzi, who loves him. The political turmoil curtails their performances, but their troubles worsen during the Cultural Revolution: Douzi is accused of being a collaborator; both are denounced for participating in a decadent art; both are forced to undergo reeducation, brutal interrogations, and exile in the countryside. Years later, they meet up in Hong Kong, and the two old singers sing their favorite duets—but it's too late: The old affection can't survive; ``the glittering tragedy is over.'' A contemporary action-packed Chinese history lesson and love story with as much nuance as a revolutionary slogan. The movie must be better.
Pub Date: Sept. 24, 1993
ISBN: 0-688-12020-2
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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