Just bloody perfect.

READ REVIEW

GO WITH THE FLOW

Four friends protest period poverty and inequality.

Sophomore Sasha Chen is the new girl at Hazleton High. On her second day, she notices mean-spirited giggles and looks of disgust while at her locker. Established friends Abby, Brit, and Christine swoop in and introduce themselves, whisking her away to the bathroom to calmly inform her that her period has leaked through her white pants. The girls find the period-products vending machine to be empty. When Abby repeatedly asks the administration about reloading the machines or, better yet, making period-care products free (since half the school body bleeds), she is quickly dismissed by the older, White, male principal who calls it “her little problem.” The girls want to demolish the shame around menstruation, but when Abby takes the protest too far, their friendship is tested. With its alluring red-hued duotone art, this graphic novel successfully empowers readers and guides them to speak up and reclaim agency when they feel something is not right with not only their own bodies, but with the world around them. The girls’ group is inclusive, encompassing different heights, skin colors, races, and body types; Brit, who openly discusses her struggles with endometriosis, has brown skin and a full figure, Sasha is Asian and petite, tall and lanky Christine, White, is coming to understand her same-sex attraction, and Abby is White with red hair and a curvy figure.

Just bloody perfect. (author’s note, further resources) (Graphic fiction. 9-14)

Pub Date: Jan. 14, 2020

ISBN: 978-1-250-30572-5

Page Count: 336

Publisher: First Second

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A well-Crafted, visually rich, truth-telling tale for our troubled times that affirms the eternal importance of friends.

CLASS ACT

Jordan Banks has returned to the elite Riverdale Academy Day School for eighth grade, and although he still doesn’t smell like an eighth grade boy—much to his dismay—his growth spurt comes in other forms.

Unlike New Kid (2019), this sequel offers the perspectives of not just Jordan, but also his best friend, Drew, and his wealthy White friend, Liam. As Jordan navigates what may be his last year at RAD before transferring to art school, he frequently compares his experiences with Drew’s: Both boys are Black, but Drew is taller, more athletic, and has darker skin. Drew also has a new flattop that attracts unwanted touching from non-Black kids. This story focuses on how differently RAD students and teachers treat light-skinned Jordan and dark-skinned Drew and also how middle-class Jordan, working-class Drew, and rich Liam negotiate a friendship of mutual respect and care. RAD administrators and teachers have also realized that they need to work on diversity, equity, and inclusion, but their leadership choice for this initiative results in more microaggressions for the students of color. Jordan’s cartoon “intermissions,” black-and-white pencil sketches, capture his imaginative wit while conveying perceptive observations about race and class that ring true. Each chapter’s title page textually and illustratively echoes popular graphic works for young readers such as Jeff Kinney’s Diary of a Wimpy Kid.

A well-Crafted, visually rich, truth-telling tale for our troubled times that affirms the eternal importance of friends. (author's note) (Graphic fiction. 9-14)

Pub Date: Oct. 6, 2020

ISBN: 978-0-06-288551-7

Page Count: 256

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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