by Lincoln Kirstein ‧ RELEASE DATE: May 1, 1994
This memoir by the octogenarian Kirstein (Portrait of Mr. B, 1984) displays a Proustian sensibility in its wholesale allegiance to art and the senses and in its nostalgic tableau vivant of times and places past. From its astonishing, sensual opening sentence (``The pear was plump, ripe, juicy, palm jade''), this is the story of the education of Kirstein's aesthetic sensibility and its fulfillment in his most lasting achievement, the founding of the New York City Ballet. Despite its revealing tone, it is not intimate (due partly to sometimes stuffy prose), yet it is almost always engaging. This self-portrait shows the young Kirstein to be by turns charming and expansive, self-deprecating and confused as he learns that, contrary to his hopes, he is not destined to be an artist. Kirstein is the son of German Jews who penetrated the upper reaches of Boston society. Gifted with what he calls ``nervous energy'' and a wealthy, supportive papa, the self-described hedonist pursues his artistic and amorous fancies from Harvard to Paris to New York City. The strange highlights of Kirstein's life shine through: An encounter with the mystic Gurdjieff is at once chilling and comic; pursuing the low life, Kirstein conceives an unrequited love for a gritty sailor. The chapters dealing with Kirstein's precocious founding of Hound & Horn and the Harvard Society for Contemporary Art are oddly devoid of passion; but the grand spectacle of his life, narrated in this volume's last chapter, begins in 1933. In Paris, where he seeks out the ballet, the intrigues and jealousies of artists, dancers, and stage mothers are topped only by the supreme wiles of Romola Nijinsky, in whose service Kirstein finds himself. Kirstein, now an impresario-in-training, courts George Balanchine, hoping he will found a ballet school and company—in Hartford, Connecticut. Of course, a Balanchine-led Hartford Ballet was not to be. One hopes that Kirstein's elliptical ending is the promise of another volume to complete his colorful mosaic.
Pub Date: May 1, 1994
ISBN: 0-374-21336-4
Page Count: 300
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1994
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adapted by Lincoln Kirstein & illustrated by Alain Vaës
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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