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MOSAIC

MEMOIRS

This memoir by the octogenarian Kirstein (Portrait of Mr. B, 1984) displays a Proustian sensibility in its wholesale allegiance to art and the senses and in its nostalgic tableau vivant of times and places past. From its astonishing, sensual opening sentence (``The pear was plump, ripe, juicy, palm jade''), this is the story of the education of Kirstein's aesthetic sensibility and its fulfillment in his most lasting achievement, the founding of the New York City Ballet. Despite its revealing tone, it is not intimate (due partly to sometimes stuffy prose), yet it is almost always engaging. This self-portrait shows the young Kirstein to be by turns charming and expansive, self-deprecating and confused as he learns that, contrary to his hopes, he is not destined to be an artist. Kirstein is the son of German Jews who penetrated the upper reaches of Boston society. Gifted with what he calls ``nervous energy'' and a wealthy, supportive papa, the self-described hedonist pursues his artistic and amorous fancies from Harvard to Paris to New York City. The strange highlights of Kirstein's life shine through: An encounter with the mystic Gurdjieff is at once chilling and comic; pursuing the low life, Kirstein conceives an unrequited love for a gritty sailor. The chapters dealing with Kirstein's precocious founding of Hound & Horn and the Harvard Society for Contemporary Art are oddly devoid of passion; but the grand spectacle of his life, narrated in this volume's last chapter, begins in 1933. In Paris, where he seeks out the ballet, the intrigues and jealousies of artists, dancers, and stage mothers are topped only by the supreme wiles of Romola Nijinsky, in whose service Kirstein finds himself. Kirstein, now an impresario-in-training, courts George Balanchine, hoping he will found a ballet school and company—in Hartford, Connecticut. Of course, a Balanchine-led Hartford Ballet was not to be. One hopes that Kirstein's elliptical ending is the promise of another volume to complete his colorful mosaic.

Pub Date: May 1, 1994

ISBN: 0-374-21336-4

Page Count: 300

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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